Huntsville Train Depot

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Candescence. Huntsville, Alabama. March 2025.
Nikon Z8 with Nikkor Z 24-120mm f/4 S at 103 mm, 1/500 sec, f/4, ISO 64.

We just returned from ten weeks in Alabama where my wife was on a temporary assignment for work. As you would expect, I used this as an opportunity to photograph some new places, which has given me a nice backlog of images to share. I’ll have a plenty of (green!) landscapes going forward, but I’ll start this off with images from the historic Huntsville train depot, where they have a museum and some nice rolling stock on display. The train cars were not in a good setting to feature any in their entirety, so I took a lot of tighter views. The image aboveโ€”of a brightly-colored cabooseโ€”is my favorite of these. The right-hand edge of the caboose is a few pixels off the right-hand edge of the frame; I really wanted that entire yellow railing in the frame and there was barely enough room to pull it off.

This next image of a heavy door on an old freight building has great textures that are especially evident at full resolution. The dried leaf, although tiny in the frame, adds a little bit of a focus point to the image that helps it.

Wedged. Huntsville, Alabama. March 2025.
Nikon Z8 with Nikkor Z 24-120mm f/4 S at 57 mm, 1/30 sec, f/9.5, ISO 64.

Old blue paint and a bit of rust always go well together. The dents and scratches and weathering tell a story of long use in this next image. Graphically, the diagonal handle contrasts nicely with all the verticals and horizontals everywhere else in the image.

Latched. Huntsville, Alabama. March 2025.
Nikon Z8 with Nikkor Z 24-120mm f/4 S at 37 mm, 1/250 sec, f/9.5, ISO 500.

Switching subjects to the depot building itself, window shots are always enhanced by a nice matching drainpipe:

Broken Elbow. Huntsville, Alabama. March 2025.
Nikon Z8 with Nikkor Z 24-120mm f/4 S at 39 mm, 1/350 sec, f/5.6, ISO 64.

This next image is not the first time I have featured lamps and their shadows. I do wonder what was on the diamond-shaped sign, too.

Shadow of the Past. Huntsville, Alabama. March 2025.
Nikon Z8 with Nikkor Z 24-120mm f/4 S at 34.5 mm, 1/90 sec, f/9.5, ISO 64.

Wrapping up with something a little less two-dimensional, the underside of this roadway bridge next to depot had some striking corrosion patterns superimposed on the repeating patterns of the structure.

Camouflage. Huntsville, Alabama. March 2025.
Nikon Z8 with Nikkor Z 24-120mm f/4 S at 62 mm, 1/10 sec, f/9.5, ISO 500.

I’ll share lots more about Alabama in the coming weeks. Thanks for reading!

Postscript

When I was preparing this post a few weeks ago, I was trying to find some information online and saw articles about a fire two days earlier that consumed one of the train cars at the depot. I had images of this very boxcar from eight weeks earlier, although I didn’t originally choose to feature one of them in this post:

Pre-Blaze. March 2025.
Post-Blaze. May 2025.

I decided to go over that evening to get a few pictures of it before the carcass was hauled away. Unfortunately, a few days had already passed and a chain-link fence had been erected close around it, which limited my perspectives. The angle above is not my favorite, but is the only one where I have a before-and-after comparison. I think it is kind of interesting that the faint graffitiโ€”since it was on the lower metal portionโ€”survived. This is another small reminder that you shouldn’t assume that there will be another chance to photograph anything that piques your interest, because you never know when a chance mishap or arsonist or idiot with a chainsaw will prevent it.

Anyway, it is a sad end to a nice bit of history.

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6 responses to “Huntsville Train Depot”

    • Thank you, Lucy! It was a fun place to walk around. They have an amazing roundhouse, too, that I didn’t even get a picture of. They have converted it into a place for wedding receptions and such.

  1. Absolutely excellent accuracy Jim and so well observed resulting in such enjoyable designs.

  2. Another setting where you are in your element! Just one example: the alignment of the main shadow against the shadowy remains of a sign in Shadow of the Past. Excellent.
    Pre and Post Blaze also tell their story as, indeed, does the reference to the Sycamore Gap tree.

    • Thank you, Rob! It was a fun little place. I’d like to say that I broke out The Photographer’s Ephemeris to time my return to get everything lined up, but that would be, shall we say, a big stretch!