Bye-bye to Bruges

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Canalside. Bruges, Belgium. December 2024.
Nikon Z8 with Nikkor Z 100-400mm f/4.5-5.6 VR S at 280 mm, 1/125 sec, f/9.5, ISO 500.

My time in Belgium was very short: only two full days, plus a few hours on either end. But in a city setting where I am always on foot, I can take a lot of pictures. In this case, about 1,200 in Bruges and a few hundred more around Damme. Even though the weather was generally dreary, it fits the mood of northern Europe in December. And the overcast sky eliminates most of the shadowsโ€”certainly the harsh ones. That makes it easy to feature building details, but that featureless bright sky can seem unredeemable, so excluding it altogether, as in the picture above, is often a sound strategy. But Bruges has lots of nice towers, too, and it’s hard to take a rectangular picture of a pointy tower without including the sky. So you do the best you can. In the case below, since the cobbles were wet, the reflections of that bright sky give the ground texture and help balance the image top-to-bottom. I don’t think the sky is objectionable here.

Cobbles and Tower. Bruges, Belgium. December 2024.
Nikon Z8 with Nikkor Z 24-120mm f/4 S at 44mm, 1/20 sec, f/9.5, ISO 500.

This next image would be more problematic in direct sun. Since I know that my tendency is to shoot doors and such straight-on, I look for opportunities to shoot them from an angle so I have some variety in my images. In this case, I like the way that each section of the wallโ€”not to mention the streetโ€”has a different type of brick.

Alleyside. Bruges, Belgium. December 2024.
Nikon Z8 with Nikkor Z 24-120mm f/4 S at 51mm, 1/15 sec, f/9.5, ISO 500.

This next image is shot straight-on, but the angled wall gives it a little variety. The light behind the glass is great, but I do regret not zooming out just a touchโ€”the door is too crowded on the top and bottom of the frame.

Forgotten Light. Bruges, Belgium. December 2024.
Nikon Z8 with Nikkor Z 24-120mm f/4 S at 35mm, 1/15 sec, f/8.0, ISO 500.

The image below is a fun one, unless you think about how disgusting it must be behind that door. I don’t like pigeonsโ€”essentially rats with wingsโ€”but the two in this image are pretty essential. They seem perfectly placed: one walking out the door and the other watching it from the opposite corner of the frame. The two gray birds match the two gray buoys, and their green necks match the green doors. When I look at this image, I ask a lot of questions: What is behind that door? Why did someone leave it open? Why is it still open? How long has it been since a boat stopped at this door? And, is it as bad as I think it is behind that door?

The Door is Ajar. Bruges, Belgium. December 2024.
Nikon Z8 with Nikkor Z 100-400mm f/4.5-5.6 VR S at 120 mm, 1/125 sec, f/9.5, ISO 500. Two-frame stitch.

I suppose my penultimate picture of Bruges was not terribly flattering, so we’ll end this series on a more positive note with a moment of sunshine that highlights the beauty of this medieval city:

Duck. Bruges, Belgium. December 2024.
Nikon Z8 with Nikkor Z 100-400mm f/4.5-5.6 VR S at 115 mm, 1/500 sec, f/9.5, ISO 500.

Well, that’s the end of this series that started in York and ended in Bruges. The entire journey is available here.

Next week the blog returns to Colorado, where there is plenty of catching up to do.

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10 responses to “Bye-bye to Bruges”

  1. Enjoyed seeing this beautiful city through your craft. I am also drawn to old doors, windows, and other architectural details. Canalside, Alleyside, and The Door Is Ajar in this collection were really fun.

    • Thank you, Doug! I’m glad that you enjoyed following along. One nice thing about architectural details is that you can find them almost anywhere, even in towns that you wouldn’t consider particularly beautiful. I’ll have more to share along those lines in a couple weeks.

  2. Like The Door is Ajar for the reasons you mention. When (!) you get to Venice, you will see many doorways and other structures that invite similar speculation.

    • Thank you, Rob! I will be sure to tell Susan that now I have (!) to go to Venice! We can’t leave mysterious canalside doors unpondered, can we?

    • Thank you, Lucy! It felt like a good one to end the series on. It would have been great to have you there with us!

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