Rural Aomori

/

Daikons Be Daikons. Tsugaru City, Aomori Prefecture, Japan. November 2025.
Nikon Z8 with Nikkor Z 24-120mm f/4 S at 120mm, 1/60 sec, f/9.5, ISO 500.

There is always a big difference between urban and rural areas, but certainly in Japan, where Tokyo is on one side of the comparison, the difference is pretty extreme. I enjoyed seeing the this row of giant radishes hanging from a pole, which is definitely not something you would find in Shinjuku City. I’m not sure why they were hanging from a pole, but I assume that is the prefered way to store them. Japan is nothing if not damp, so maybe the air circulation keeps them fresh. And I suppose this keeps them higher than the rabbits can reach, too.

The rabbits won’t have any trouble reaching these, of course, but are not nearly so tasty:

Electric Fence. Tsugaru City, Aomori Prefecture, Japan. November 2025.
Nikon Z8 with Nikkor Z 24-120mm f/4 S at 94mm, 1/60 sec, f/9.5, ISO 500.

Picking up a theme from earlier in this series, and at the risk of over-generalizing, I would not give Japan particularly high marks for maintaining the exteriors of their buildings, no matter how nice a job they do with the interiors. These vines, although beautiful, are completely out of control:

Fall in the Air Conditions. Asamushi, Aomori Prefecture, Japan. November 2025.
Nikon Z8 with Nikkor Z 24-120mm f/4 S at 55mm, 1/250 sec, f/8, ISO 500.

And these are not far behind:

Falling into an Embrace. Asamushi, Aomori Prefecture, Japan. November 2025.
Nikon Z8 with Nikkor Z 24-120mm f/4 S at 110mm, 1/2000 sec, f/8, ISO 500.

l have shown quite a few Torii gates in this series, and most of them are beautifully constructed and lovingly maintained. A lot like the one in the distance, below, but this DIY version of pipes and tape in the foreground was, in my admittedly limited experience, unique. It’s sturdy enough, but I have to believe it went to the low bidder.

Conduit. Asamushi, Aomori Prefecture, Japan. November 2025.

It’s no secret I like photographing abandoned buildings. As is often the case with dilapidated structures, it elicits (sometimes illicit) questions. In this case, the puzzling item is the love seat that clearly hasn’t seen any love in a long, long time. I initially thought that I hadn’t held the camera level, but after trying to straighten the building up I realized that even the concrete parts were inconsistently out of plumb.

Come Sit a Spell. Asamushi, Aomori Prefecture, Japan. November 2025.
Nikon Z8 with Nikkor Z 24-120mm f/4 Sย at 24mm, 1/250 sec, f/9.5, ISO 500.a

We’ll finish this post with a picture of a single shuttered window. I have resisted showing a lot of windows in this series because I tend to take a lot of them and don’t want to be monotonous. But this is a nice one and the hard shadows give it some graphic punch.

Watcher. Asamushi, Aomori Prefecture, Japan. November 2025.
Nikon Z8 with Nikkor Z 24-120mm f/4 S at 120mm, 1/3000 sec, f/9.5, ISO 500.

It was nice to get out into the countryside a bit on this trip. Next time I would like to rent a car for a while, though, it makes exploring away from the city so much easier.

If you would like to receive my weekly post as an email, please subscribe:

Categories:

Tags:


One response to “Rural Aomori”

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.