
Nikon Z8 with Nikkor Z 24-120mm f/4 Sย at 37 mm, 1/20 sec, f/6.7, ISO 500.
When I go through my catalog of images of a place like Bruges, I try to find a few unifying themes that would make good blog posts. While I don’t set out looking for specific things when set out with the camera, I can usually find coherent groupings of images after the fact. So, last week featured reflections, and this week features bicycles. Given the narrow streets, canals, and tourists, I can understand the attraction of bicycles in Bruges. And they were parked all over the city.
The image above is one of my favorites from the trip. I would have loved it even without the face in the window, but with it the image rises from nice to striking. Despite its uniqueness, I have no recollection of having taken it. It is geotagged, so I know where it was taken (just down the street from the Torture Museum) and timetagged, so I know when it was taken (within 20 minutes of my first Bruges photograph). But I don’t remember doing it. Given that I have over 1200 images of Bruges (and another 300 of Damme nearby) from a mere 72 hour visit, I guess the fact that I don’t remember a given picture isn’t surprising, but I still find it remarkable. Now that I think about it, I don’t remember taking most of my photographs. I’m going to have to mull this over more, but I think that, usually, I see something interesting, figure out how to photograph it, and move on. Then I tend to relive the experience when I am going through the images later. I’m not sure if that is good or bad, but that’s what I do.
This next image is a fun combination of old and new. I don’t know that I would have the heart to drill holes into that historic brickwork for the sake of mounting a sign, especially one that tells people to do what they are going to do anyway: park their bike.

Nikon Z8 with Nikkor Z 24-120mm f/4 Sย at 70 mm, 1/30 sec, f/8.0, ISO 500.
Bruges is filled with nice brickwork. Old brickwork has a lot of character. In the image below, there are different zones to it: the cobbles on the street, the darker brick at the bottom of the wall, the more worn brick above that, and the less worn brick up higher. There are a few little details that are nice: the leaf in front of the door matches the brick’s color, the number sign by the door looks like the light-colored stones in the arch above, the little light patch in the brick to the left of the bicycle matches both of these, and the door has a nice contrasting texture.

Nikon Z8 with Nikkor Z 24-120mm f/4 Sย at 27 mm, 1/10 sec, f/9.5, ISO 500.
This next window is a great combination of colors. Here the bicycle is just peeking into the frame, but everyone can easily fill in the rest with their imagination.

Nikon Z8 with Nikkor Z 24-120mm f/4 Sย at 24 mm, 1/45 sec, f/5.6, ISO 500.
The detail on the right is one of the reasons I like the image above: clearly the little sign is rather ineffective! Unfortunately, it is such a small detail that you would only notice it on a reasonably large print.

The owner of the following building did a nice job decorating: the white wreaths fit perfectly. The fallen orange leaves coordinate nicely, too, being a complementary color to the blue paint, but I doubt they were deliberately placed there so the owner only gets credit for not raking them up.

Nikon Z8 with Nikkor Z 24-120mm f/4 Sย at 24 mm, 1/10 sec, f/9.5, ISO 500.
All of the images above have featured well-maintained structures. In this next image, only the bicycle looks well-maintained:

Nikon Z8 with Nikkor Z 24-120mm f/4 Sย at 38 mm, 1/45 sec, f/8.0, ISO 500.
Thanks for tagging along with this week’s post. I’m always hoping for new subscribers, so if you know anyone that would enjoy my photographs, please send them a link. Also, don’t forget to take a quick peak at my home page; I added an extra bicycle-in-Bruges image there.
Thanks!
3 responses to “Brugesycles”
The motif of bicycles helps unify the blog exactly as you intended. Satisfying.
I like all the images but especially Two Wheels at Number f/9.5. I imagine the homeowner was watching from one of the windows to see when the man with a tripod and too many lenses would move on so s/he could start sweeping up the leaves!
Getting pretty snarky, Rob! (Perhaps “cheeky” would be the right British termโplease advise.)
That’s similar to the scenario that happened to me in Damme: I was taking a picture of a door with a nice Christmas wreath on it and the woman who lived one door over returned home and said, with much enthusiasm, “Did you take a picture of my door?” We chatted for a bitโshe was very friendlyโbut I can’t remember if, in the end, I took a picture of her door or not.
Your teasing has inspired me, though. Sometimes I think of titles and want to make the thing itself just so I can use the title. I have several photo book titles in my brain like this. Anyway, I need to research where to find the platform for the Hogwarts Express, but the title is “9-3/4 at 9-1/2”. Just for you.
Definitely, “cheeky”!
Rob