
Nikon Z8 with Nikkor Z 24-120mm f/4 S at 24mm, 1/750 sec, f/9.5, ISO 500.
A tidy row of columns lends itself to compositions that rely on symmetry. This week’s post is full of columns, but this is the only image that exploits it. It uses the converging parallels that come from looking upwards, too. I wish I had had my 14-24 zoom with me, because I think a little wider view would have been even better.
The sun was strong in this next image, casting deep shadows. There was also a lot of clutter closer to ground level. In the end I cropped the bottom away and opted for this graphic composition of deep blue and light gray and near black.

Nikon Z8 with Nikkor Z 24-120mm f/4 S at 76mm, 1/3000 sec, f/8.0, ISO 500.
One reason I put the image metadata below the image is the hope that I will be sufficiently embarrassed by having used absurdly high ISOs for no good reason. Here I was working in the deeper shadowed areas and neglected to lower the ISO when I took this shot of the sunlit columns. ISO 1600 will cause no great harm these days, but it was undeniably sloppy. Looking beyond the non-optimality of the camera settings, I like the way the three lit pillars are echoed by the three (much bluer) ones shadowed in the foreground.

Nikon Z8 with Nikkor Z 24-120mm f/4 S at 120mm, 1/6000 sec, f/6.7, ISO 1600.
This is my favorite image this week: I love the way the color cast varies from the near columns to the far ones. I wish, however, that the windows in the background were not there, or at least that I could have blocked them completely. It would not be difficult to get rid of them now. I am tempted.

Nikon Z8 with Nikkor Z 24-120mm f/4 S at 120mm, 1/750 sec, f/8.0, ISO 500.
Here we have another image that exploits a warm-cool color contrast, this time at the Vittoriano instead of the Vatican:

Nikon Z8 with Nikkor Z 24-120mm f/4 S at 82mm, 1/350 sec, f/9.5, ISO 500.
On this, my second visit to Rome, I did not go inside the Pantheon. But I did photograph it from the neighboring Piazza della Rotonda in the quiet morning hours. I find it an awe-inspiring structure, and I cannot imagine seeing it daily out my bedroom window. This image juxtaposes these two very different buildings.

Nikon Z8 with Nikkor Z 24-120mm f/4 S at 53mm, 1/350 sec, f/9.5, ISO 500.
Finally, when you haul your fisheye lens all the way to Rome, you have to use it. I enjoy the challenge of using a fisheye. In natural scenes I can often hide the distortion, but with architecture you have to embrace it.

Nikon Z8 with AF-S Fisheye Nikkor 8-15mm f/3.5-4.5E ED at 15mm, 1/1000 sec, f/4.5, ISO 500.
Thank you for visiting and I hope you enjoyed these pictures of Rome. Next week I will have pictures from inside St. Peter’s Basilica and another church in Rome.
5 responses to “Exterior Columns”
You can’t go wrong at the Pantheon โ it is every bit as splendid as you say.
I especially like Conic Section and Rows of Columns. Taking out the windows on the latter would be an interesting experiment. I suspect the effect could have its downside. (I note that your title for this image is not in your usual style! ‘Rome wasn’t built without them’?)
Thank you, Rob! I’m glad you like these. Sometimes I do get a bit of writer’s block when it comes to titles…sometimes one comes later and I go change it.
I might try getting rid of the windows and I can send you both and see what you think. Probably not for a few weeks, though. ๐
A less drastic change might be to darken all of those slivers of background between the columns. Might try that first.
Always happy to offer a response!
These pictures make me want to go back to Rome!!
I’m glad! They tend to make me forget how many other people were there, though, so beware of that!